Memory Loss inherits its central equation: that pixelation, dithering, and desaturation are not aesthetic choices but structural replicas of how biological memory fails. Where Compressionism as a broader movement explores compression aesthetics across many contexts, Memory Loss commits to its most radical proposition: that a compressed image and a degrading memory are not analogous but identical in structure, differing only in substrate. The artwork does not illustrate this claim, it enacts it.
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